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Press ReviewEddie Nünning accompanies Lara with fantastic skills, always with a serving attitude......The sublime arrangements of pop, rock and folk songs make this CD an album which will surely catch any listener. Henk ter Veldhuis, Bridge Guitar Reviews 02.08 "On his new CD he presents himself as a tasteful arranger and as a fabulous guitarist and accompanist..." (Akustik Gitarre 01/03) Eddie Nünning as a guitar magician: Guitarist Eddie Nünning who conjures up a concertante accompaniment sounding like more than "only" a single guitar by means of a combination of classical play techniques and the masterly use of the guitar synthesizer ... (Neue Westfälische 28.01.2003) Breath-taking Technique: Eddie Nünning produced such a complexity with the six strings of his acoustic guitar that it made up for a whole combo: walking-bass motives, chord accompaniment, reversion to melody, percussive playing techniques - breath-taking … (Westdeutsche Allgemeine Zeitung 04.11.2002) "... Eddie Nünning, who uses the strings of his guitar multifariously, ideally matches here: as bass part or as voice part. He amplifies his guitar playing with a guitar synthesizer which provides a subdued orchestre sound. In any case, the audience often gets the impression to listen to two guitars instead of one. With his solo "Sunshine of my life" even the last listener was convinced of Nünning's musicality and dexterity." (Westfalenblatt 16.02.02) " electrifying grooves. Eddie Nünning's imaginative acoustic-fingerstyle-guitar as a complete pop-jazz-funk band." (Audio 03/01) "… Nünning's sensitivity for the harmonies of the titles …is great and his fingerstyle arrangements he plays in a discreet percussively manner partly even point to a fantastic future for the guitar - especially when he easily sets walking-bass-lines to his knowledgeably set chords." (Akustik Gitarre 01/01) "… Nünning is an excellent accompanist." (Gitarre Aktuell 01/01) "… a strong instrumental partner: Eddie Nünning sensitively transforms a whole world of musical ideas, he masterly paints tonal pictures with his brilliantly played chords and his vivid grooves with a partly orchestral sound, skilfully supported by a guitar synthesizer." (Lippstädter Zeitung 15.12.00) "… The guitarrist Eddie Nünning demonstrated musical provoking skills with his seemingly uncountable and electrified fingers. With uncanny sureness Nünning makes even faintest chords between melancholic and languishing spheres and exuberant impulsiveness sound by means of his imaginative finger-picking." (Saarbrücker Zeitung 13.11.01) "… better than anybody else Eddie Nünning knows how to turn even simple songs into interesting multi-faceted works of art." (Soundcheck 11/00) "… exquisite guitar playing, Nünning was outstanding for his soli very much worth hearing." (Lippstädter Zeitung 20.05.98 "… Eddie Nünning draws real magic music from his guitar with "double" sounds which he gets with the help of a synthesizer." (Mindener Tageblatt 03.10.95) "… masterly guitar playing… jazz at its best…Nünning electrified with his flawless playing technique." (Münstersche Zeitung 14.02.95) "… a very flexible artist. He mastered the highest technical difficulties, his touch and fingering were refined and vivaciously designed." (Ibbenbürener Volkszeitung 19.08.90) "… the sound is powerful and elegant and beautifully rounded off. Edgar Nünning's guitar is not a plucked string instrument anymore, but it sings, it whispers, dreams, breathes." (Osnabrücker Nachrichten 16.08.90) "… Nünning is a very lyric and sensitive artist, who expresses his musical intentions in a clear and beautiful way of playing." (Neue Osnabrücker Zeitung 11.08.90)
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